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Mega-media
budgets are one fundamental difference.
Let’s place these budgets in the metaphor of a well known
formula, call it “impact wattage”.
Conceptually speaking, just multiply the "quality of message" (scale from 1 to 10) times the media budget
(same scale in $ millions) to get an overall impact
rating. Using
this methodology, one can clearly see how a large media buy can
overcome a weak quality of message.
So local news or beverage commercials, for example, can be
content free (but look good) as long as they hit you over the head
often enough. In
the more specialized businesses in which most of us are involved, the
messaging is critical given the limitations in media buying capability
and the relatively higher qualification level of buyers. With the challenges of multiple product lines, highly segmented
markets, greater technical sophistication, cut-throat competition, and a “street
smart” customer base, today's Madison Avenue approach is showing its
limitations. Visibility
itself is no longer the holy grail; you also need a quality
association. Call me a fundamentalist, but the historical credo of Madison Avenue -- impact at all costs/readers can only capture one message -- simply isn’t meeting the challenges. Most of the promotion that you see today is focused on a feature or benefit rather than position with some notable exceptions. For example, IBM's service / product strategy may be in question but their position as the "secure choice" is well supported in their promotion. Taco Bell's "Think Outside the Bun" counter-position promotion is perhaps the best position campaign in today's media. The point? Promote Position! Let’s examine some examples that show that features and benefits should only support position, but never stand alone. Small
Print: Before
we dig deeper, let me put a couple of things on the sideline.
First, for the purpose of expediency, we’re generalizing
here. Not
all Madison Avenue types think alike.
Second, there are simply too many variables (strength of
product, media budget, competitive environment, etc.) to provide a
scorecard of commercial results.
While certain media mechanisms track awareness, they are
fundamentally sales gimmicks.
The topic of measurement is worth volumes in itself, but the
focus in this piece is on
strategic intent and content of the messaging.
The following scenarios are hypothetical.
I think that these examples (along with some specific suggestions)
will be constructive to you by revealing a process as well as
“reverse-engineering” the messaging.
“Position
is most powerful when opportunity meets reality”
“Position
serves as insurance during the down product cycles that every company
goes through.” So
what are the natural positions in this automobile sub-market.
Well, let’s call Mercedes engineering, value and prestige;
BMW drivability, value, and prestige with both connoting a leadership
that has been well endowed in the mind of US consumers for more than a
generation. Audi’s
recent attempt at a “leadership” (Never Follow) campaign, while an
improvement over no attempt to establish position is well executed but
ethereal. Instead,
they have had the opportunity to capture the “safety” position co-owned by the vulnerable Volvo (Ford) and Mercedes.
Their claim to the next generation of safety standards is their
highly renowned Quattro all wheel drive traction system.
Currently safety ratings have been determined by crash dummy
tests and while Audi does very well on those, it needs to make a case
for accident avoidance and “franchise” their renowned Quattro
feature (where they do have leadership credibility) to “close the
door” before others (Mercedes, BMW, Ford (Jaguar, Volvo) take away
that credibility with their own all wheel drive capability. Audi
is on the brink of either emerging as a lasting brand or just being
considered an expensive Volkswagen.
Their positioning will determine their future. Most
companies have the attributes to establish
position, but do not exploit
them. Obviously
there are
many companies who are
successful at this and there are companies who dominate in spite of
not establishing position, but they are in the minority
(a wealthy one
but a minority nonetheless). It’s
a process to analyze the overall competitive environment and distill
the message, but there isn’t a more important task in marketing your
company.
First
let’s discuss their endorsement campaign.
Their logic is that if a highly visible television star lightly
portrays himself as someone who doesn’t do endorsements; this
credibility will be inferred upon them. In
the meantime, here’s what they’re leaving on the table.
They’ve
got built-in "Blackberry" functionality for $10 a month
unlimited, a 2-way radio,
no charge for incoming plans, and more.
Unbelievable. So their choice is to establish themselves with a premium niche or get in the mud with the commodity suppliers by giving away free-minutes to college students and teenagers on the weekend!
Endorsements
can be along with PR the most credible promotional tool that you have.
Whether you’re selling to business professionals who need to
count stability and a successful track record among your attributes or
consumer wannabe’s who follow the leaders, I have found a few
guidelines for handling endorsements optimally. q
Don’t
use someone that’s over-exposed as your prime endorsee.
One of example of this would be that he or she appears for a
different company in the same publication). q
Have
the endorsee mouth your strategic message - most are more than happy
to cooperate. q
Make
sure that the ad or event is yours, not theirs q
Make
sure the person has credibility consistent with the company you would
like to keep in the future. q
If
you are dominant in your business (the assumption is that
“everyone” is using you), a single endorser could dilute your
strength. So, think about
a series or having the endorsements be part of the motif or secondary
message.
The
other fundamental difference between specialized businesses and
Madison Avenue is their preoccupation with awarding themselves
artistically and the culture that it creates. As
a client, if you’re working with an outside agency, make sure that
you have a balance between their outside perspective/creative input
and your knowledge of all the issues.
The client must retain ownership of the message – never give
that up to anyone else. A
great agency can only be a key part of your team and a vital outside
perspective – don’t let it be more than that.
Also, while it is now imperative to own creative resources, it
is an even better idea to have outside help in formulating the
communications strategy and master templates for your campaigns. Let’s
remember it’s the product, not the spot.
Let’s heed the wisdom of Marshall McLuhan and remember that
the media can overpower the message if we let it.
With
ROI pressure in all sectors, I predict, Madison Avenue will eventually
get back to selling the steak with sizzle, but not the sizzle itself.
Today, ads simply have to work harder.
To do so, they must be multi-level in their messaging, e.g.
reaching channel salespeople in addition to end users and/or reaching
want-to-be’s in addition to the real pros. While the key points may
be similar there are some very important subtleties.
Additionally, while there may not be much crossover in the end user
area, there is certainly crossover in the distribution channels. Each
business or niche has its own trade language code words and your
messaging needs to be “multi-lingual” in that sense. Of
course, subliminal messages are hard to discuss but a good creative
process will yield that dimension as well. Multi-level
communication obviously doesn’t have to be specific words or images
but a motif. For the
last 5 years, you know when you’re looking at an IBM spot (big blue
letterbox) or for
those familiar with Mackie over the last 10 years, you can
remove all the images and copy and know that you’re looking at that
company's ad. Motif’s can
also carry a good deal of information.
Think of a motif as a suit of clothes for presenting your
company’s message.
Now
GM finally has some products and an effective “Heritage Reborn”
campaign to reestablish a “Cadillac” image.
So here’s the rub. They
run 25 seconds of this campaign in a 30 second television spot but
blow it in the last 5 seconds by talking about big rebates – the two
messages are incompatible. The two messages can only be compatible when delivered with some breathing room or better yet; place the “rebate/come and get it” message in the voice of their (heavy promoter) sales channel . Where’s the co-op advertising? More importantly, where's the logic?
Their
proposition is that Sprint phones aren’t
cell phones and give you better signal quality.
The truth of the matter, according to most of the
telecommunications websites (confirmed by my personal experience) is
that outside of major metropolitan areas, Sprint generally delivers
the poorest service, yet their sales and presence are exceptional. You
also have to admire their leveraging of their long distance service
campaign of the same name and their use of the “pin drop” silent
logo at the end of their spots – a logo that is over a decade old! So the old lesson is that differentiation is a great advantage but fabricating physics requires a "big stick" media budget.
q
Madison
Avenue is nothing if not hip. Style
(with significant Euro/Asian influence), broad market appeal, and
technology application are leading edge. Their production budgets
allow for more $ per minute than Hollywood - therefore the production
values are exceptional. While these factors might not
be an appropriate consideration for all brands, knowing the state of
the art let’s you measure your distance. q
Broad
market appeal also may not be appropriate for the media in which we
advertise, but analysis can help you define boundaries. Most of
“live” in sub-universes and/or business to business markets. Under
the surface however, even the most analytical business product/service
buyers have a kernel of consumerism. And to accelerate your
sales cycle, you have to reach that emotion. q
While
technology use in advertising can sometimes look like a demo for
Photoshop or the latest video effect rather than focused on selling
the product or service, it can also serve as good reference for
technique. Again, calibrate yourself for the appropriate distance from
state of the art. q
Never
judge an ad, only a campaign. Never
consider your campaign successful unless it’s well over a year old.
When you get bored of an effective campaign, consult the
previous bullet and multiply the time to wait by at least 2.
By
Copyright
2002 BrandInc Associates® All logos pictured are properties of their respective companies. BrandInc Associates |
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